Sanatan Archive

The narrative of India's quest for independence is vast, extending far beyond the famed 1857 Uprising. Even before this renowned revolt, localized movements emerged, causing palpable anxiety amongst the British. Their apprehension was rooted in a genuine fear: if these nascent revolts converged, their grand scheme to exploit India's riches might falter.

In the heart of Robbinsville, New Jersey, a magnificent feat of architecture and spirituality rises above the skyline. Away from its roots in India, the BAPS Swaminarayan Akshardham temple is poised to shatter its own records as it gears up to unveil the world’s largest hand-carved Hindu temple.

In the world of espionage and nationalism, where valiant stories often remain unsung, there arises a tale that resonates with courage, sacrifice, and a profound sense of duty. It all commenced on the Kargil battlefield in 1999 where Harinder Sikka, the remarkable author of "Calling Sehmat", stumbled upon a story that would soon be immortalized both in ink and on the silver screen.

In a spectacular display of India's rich and vibrant historical lineage, the Bharat Mandapam became the nucleus of cultural convergence during the much-anticipated G20 Summit. This monumental event saw the unveiling of significant artifacts that narrate the timeless tale of India's grand civilization, a story encapsulated within the intricate details of the celebrated "Ashtadhyayi" by Panini, the age-old wisdom woven in the verses of the Rig Veda, and the majestic images depicting the prehistoric Bhimbhetka cave paintings in Madhya Pradesh, a breathtaking journey back to almost 30,000 years in time.

The profound concept of ancestor veneration might elude some, especially those who've cultivated a more individualized belief system around the divine. At first glance, elevating one's ancestors to the divine may seem steeped in superstition. Can mere mortals truly stand shoulder to shoulder with sacred divinities? The answer isn't a simple yes or no but demands a more nuanced exploration into the profound philosophies and rich histories that birthed such traditions.

Nestled in the verdant landscapes of Karnataka, a question continues to puzzle many - "Is it Metal or Stone?" This query is directed at none other than the oldest Nandi sculpture standing proud in the historic Aghoreshwara Temple in Ikkeri, Shimoga.

Deep from the heart of Omkareshwar, a prominent pilgrimage city in Madhya Pradesh, a powerful story of spiritualism and devotion emerges. The tale speaks of a 600 KG Shivlinga, destined for its holy place in the upcoming Ram Mandir in Ayodhya. This isn’t just any Shivlinga; it's a spiritual marvel carved from a significant boulder from the sacred waters of the Narmada river.

North-East India's history, resplendent with profound Hindu (Sanatan) influence and a rich, vibrant tapestry of civilisational heritage, is unfortunately shrouded by the heavy-handedness of the prevailing Leftist narratives. These narratives, informed by ideologically driven biases, offer an alarmingly skewed representation of the region's history, conveniently sidestepping the compelling dynamics between the mushrooming of Christianity and the parallel emergence of secessionist movements within the region.

"Only heart to heart can speak the bliss of mystic knowers": The mystic beauty of the Descent of the Ganges relief at Mahabalipuram, an exquisite of rich Indian artistry and spiritual depth, and the legends sculpted into life-size figures on pink granite

The Descent of the Ganges, also known as the Arjuna's Penance, is an open-air rock relief carved on two monolithic rock boulders in the heart of Mahabalipuram. This awe-inspiring site gazes out towards the shimmering waters of the sea, set at a brief distance from the Coramandel Coast of the Bay of Bengal. This location places it near the famed Shore Temple, another architectural masterpiece in this region.